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Music Profile | Greys

Outer Heaven really does feel celestial with the more dreamy, atmospheric, noise sound that punk band Greys have created in this latest album. Outer Heaven is multi-faceted and textured while keeping to the band's roots that are tied to a heart of punk and noise. The album tells many different stories — raging against our apathy — from current events, to their own relationships and life experiences.

Music Profile | Dinner

There's a certain feeling that you only get in dreams, where things are familiar but somehow off. You're in your apartment, but your closet isn't where it usually is, and your kitchen is a whole lot nicer. You're at work, but work is in the Swiss Alps for some reason. The interesting thing about this phenomenon is that, without fail, these unfamiliar and unsettling changes are somehow comfortable in the realm of dreams. It's historical revisionism.

HEIDEMANN | Mining Her Own Malaise

Like many, Monika Heidemann is chronicling her day-to-day through social media, though, arguably, not many are seeing the world through the same lens. Considering she's the keyboard player for veteran dance project the Juan Maclean, her Instagram posts are documenting concerts she's performed around the world. They also showcase time spent at sandwich shops in Santiago, Chile, or getting to try out custom synths in Antwerp. Considering the sine wave-twisting sounds she's bringing to the Juan Maclean and her own HEIDEMANN solo project, the latter is the rarer treat.

Encyclopedia Hearsay | U2

The Encyclopedia Hearsay was founded on four principles: misinformation, rumours, half-remembered conversations and outright lies. Anyone can contribute so long as articles are written with no research whatsoever. If you are citing The Land Before Time as a source or abusing footnotes like David Foster Wallace, you are on the right track.

Cullen Omori | Sad Guy No More

"Sometimes you can't be new, but it's worth a try," Cullen Omori sings on "Synthetic Romance," one of the many reflective and spangling indie-pop songs spread across his debut solo LP, New Misery. It's a fair assessment, as to many he'll always be the singer/guitarist of Smith Westerns, the jangled-up crew he formed in his late teens that issued a trio of praised albums before imploding in 2014. The last couple of years were tough for the Chicago-bred songwriter, and came fraught with moments of self-doubt.

The Art of DIY | Tim Barnard and Heath Cairns

It kicked off with a scream for change and an antistyle. Punk rock as we know it grows its roots from counter culture protest. Bringing everything that is considered ugly or marginal straight in your face with nothing less than grand shock value, it comes off as raw, persuasive, radical, unconventional and without rules. Heath Cairns, Montreal-based graphic designer and longtime punk appreciator, was telling me earlier this year how "the first wave of American punk and hardcore in the early 80's was a reaction to Ronald Reagan taking power in 1980".

La Sera | Evolving From Solo to Duo

Katy Goodman may love the vocal cord-shredding sounds of early '80s hardcore, but four albums into her own La Sera project's jangled-up discography, she's fully accepted that she'll never be popping neck veins in the booth with bulldog-vicious growls. "High Notes," the hay bale-toppling foot-stomper that kicks off the band's new Music For Listening To Music To, is a winking reflection of this, and plays out with Goodman's pristine pipes soaring over a countrified beat.

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